Game of Thrones Season 7 Episode 7 Review New York Times
Game of Thrones
'Game of Thrones' Managing director on Jon Snow'southward By and Tyrion'south Reaction
Jeremy Podeswa has been a regular fixture every bit a director on "Game of Thrones" since the show'south fifth season, capable of delivering both great spectacle and quieter moments. His supersized Season 7 finale featured both kinds of scenes in equal measure out — a zombie dragon brought down the Wall with a blast of blue flame and there were several extended and conversation-heavy grapheme confrontations. Mr. Podeswa shared which moments made him cry, which gave him chills and which provided the most headaches. These are edited excerpts from the conversation.
[Alee of the final season of "Game of Thrones ," relive it all with our ultimate watching guide, including episode recaps and deep plot dives.]
Littlefinger finally got his comeuppance. What was it similar shooting his concluding moments, given that he goes through such a wide range of responses?
Aidan Gillen is such a smashing actor, and it was and so prissy to take an opportunity to piece of work with him, fifty-fifty if it's his last scene, because he had a tone that he'd never had before on the show. We encounter him for the offset time truly desperate, fighting for his life, seeing the tables turned on him in a way that is and then unexpected and epic. And Aidan only blew my heed, he was so moving. I actually was crying! On this testify, all the characters tin die at any time, just it's how they go out that is such a large thing, and for him, it was great that he had this astonishing scene to get out with.
We get two happy couples at the end of the episode, ane of which is the final confirmation of R+L=J. How did the flashback of Rhaegar Targaryen and Lyanna Stark come together?
It was important to me to make that scene idyllic, because it'due south so completely confronting the accustomed mythology about what that was, that Lyanna was kidnapped. The new information here is that this was really a relationship in which they were in love with each other. And they were married, just that's been hidden from the history, until now. We were really hoping to accept a nice sunny day in Belfast, which is rare at that time of twelvemonth, but we did have one. That was the main affair, in terms of the performances and how it was shot, that information technology exist romantic without being overly romantic.
When Jon and Dany hook up, we know it's incest, but they don't. So why does Tyrion look troubled? Why the reaction shot from him?
From my indicate of view, Tyrion ever seemed three steps ahead. As long as there is a professional alliance between Dany and Jon, that's something that everybody wants. We can imagine that that's a helpful alliance. But when things get personal, then people make decisions based on their emotions, and that tin complicate matters going frontwards, and so I recollect he sees the potential hither for things to get very messy. Usually, historically, nothing good comes out of relationships condign more than complicated! [Laughs] It's besides a question of what's going to be his role within this new alliance, right? So there's a kind of caution here.
Some folks suspect he might be jealous, too.
Well, there is something to that. Everyone seems to exist in love with Dany, in a style, and I recall Tyrion'due south a fiddling bit in love with her. Just I don't retrieve it's an actual romantic dearest. There's a huge respect for her, and perhaps there'due south a slight romantic element to that, but information technology's more than of a jockeying in terms of who has real power. Not over Dany, but who has power in a relationship with Dany. Jorah, who really is in love with her, his relationship with Jon is complicated in a different way. With Tyrion, it's all almost who is going to have sway over her?
Tyrion'south bigger moment, of course, is his reunion with Cersei. Peter Dinklage and Lena Headey haven't been in a scene together since season iv.
That was i of my favorite scenes of the unabridged show. My favorite scene to watch, my favorite scene to shoot. It was very important to united states of america that we let the audience believe, for at least a moment, that she could really kill him. That this might exist it. The first time Peter rehearsed it, I was like, I believed it. [Laughs] That was definitely i of those scenes where I had a chill.
Cersei shows remarkable restraint. She would kill Tyrion, except then her double-cross wouldn't work on the rest of them. So Lena is actually playing the scene to work on both levels.
That'south one of the great things virtually Lena [Headey.] She is one of those actresses who, within her stillness, there is everything. She can practice so petty, and still have all that complication. Particularly during the summit at the Dragonpit, she's able to convey then much without outwardly showing very much. Information technology's all in there. Information technology's all in the optics. And the slight piffling things she does are incredibly telling. She is a very intuitive and very transparent actress.
As showrunners David Benioff and Dan Weiss point out in a backside-the-scenes video , information technology was actually piece of cake for them to type the words, "And then the Wall comes tumbling downwardly." It's much harder to pull that off. What was the trickiest function of that shocking sequence?
Everything was tricky almost that one. That was one of the more complicated visual furnishings that I've ever done. It was a huge corporeality of conceptualizing, just to figure out how the scenes should track, and then the execution was very complicated. We had to decide how much of it was going to exist real, and how much of it was going to be visual furnishings.
One of the things that was very helpful was we had these concept artists who did these paintings, about ten paintings, of the sequences in the script, that were very suggestive of what the sequence would experience like and look like. That was really helpful to figure what the flames should await like, what color they should be, what the dead dragon should await like, what the different interactive effects should exist like. The pinnacle of the Wall is a set in Belfast, and the rest is all in virtual land, and it'south a complicated matter to ally all these things together.
There's also this sense of anticipation from the wights. We used to see equally merely mindless zombies in thrall to their White Walker masters, merely a slave ground forces, and so we get a glimpse that they might actually know or empathize what is happening here.
Yes. Exactly. That was an of import thing for me, as well, that you experience like there's kind of a consciousness there. And I think there certainly is a sense that for an enemy to exist a proper enemy, they have to have a certain kind of intelligence. That makes information technology a real fight, as opposed to a fight with something that doesn't have the wherewithal to be a proper opponent.
Please tell me that Tormund and Beric were non on the clamper of the Wall that fell?
Tormund has a lot of fans, but I can tell you cypher.
Source: https://www.nytimes.com/2017/08/29/arts/television/game-of-thrones-season-7-finale-director-jon-snow.html
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